No sound recording studio was used in the creation of this album. It was entirely made using my PC and the listed software and hardware. This art of constructing music in this fashion is called TRACKING. There are thousands of trackers throughout the world who are part of an underground scene making great music without much recognition at all. Help support the scene by spreading tapes of tracked music, tell your friends about artists on the internet, and provide feedback to everyone who immerses themselves in this worthy pastime.

Software:
- Fast Tracker 2.08 and 2.09
- Cool Edit 96
- ReBirth 2.0

Hardware:
- Empire 233 Pentium with 16m Ram.
- AWE 32 Soundblaster soundcard.
- Zoom Player Pro 4040 digital effects pedalboard unit.
- Cry Baby waa pedal.
- LEEM LG-1010 guitar amp.
- Ledgend electric guitar
- Phillips stereo headphones
- Sennheiser microphone.
- Sony casset-corder (dictaphone)
- Millions of tangled up audio cables and adaptors.

All photography and computer artwork by me.

Samples:
Sounds either taken from sample CD's, released sample packs from the internet or self generated sounds manipulated from existing sounds -except-
In OBVIOUSLY a sample was taken from ---table tapes--- CR513.213/t113
Thanks to Morris Cotteril, Juliana Bates, Scott Dollin and Kristen Reece for contributing their fantastic voices to the record.
M. Cotteril says in PUDDLES 'now hear this!'
Jules says in A TEACUP IN A STORM 'What are you looking at skank? In my bloody day people didn't even look! No bloody just skank you bloody whore!'.
Scott provides the screaming in the intro of VERY STRANGE.
Kristen provides the interesting facts about the sun in OBVIOUSLY.