Archive for the ‘Collaborations’ Category

Our Blood Is Black

Monday, August 3rd, 2009

Download the new song by myself and Mick Rippon – Our Blood Is Black

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This was composed in seven swaps between Mick and myself over the last few weeks. The style of music is a strange mix of chiptune, breakcore, and a weird dark angry Arabic scale meshed into a pop drama with sung vocals and lead guitar. While on the surface it may appear as another one of my epic dark pop songs, it has got its lion share of Mick’s classic composing styles, with ‘tracker’ style strings, structure and lead synth melodies. The mix work was also 50/50, and Mick played a big part in bringing out the dynamics of the piece.

The song had a bit of an unusual birth: I was mind numbingly bored at work and decided to open up Renoise and have a play with making hand drawn waveform instruments. After tracking a simple drone I added a little Arabic chiptune melody. Feeling it was pretty one dimensional I posted the file on the #renoise IRC channel and see if anyone wanted to co-op on it. Mick went for it and before long we had some seriously accelerated song development happening. And it was turning out surprisingly dark and angular, especially in contrast to some of Mick’s upbeat music.

The Arabic feel inspired me to think about Dubai and some of the horror stories I’ve heard about that place. I remember once seeing that they had so much money they could afford to build this massive indoor ski field, right in the middle of this desert country. It’s the kind of decadence that seems to have little to do with reality. It made me think of this bizarre love hate relationship the west has Arabic oil power – both a reverence of decadence, but a grudging dependence on this economic and cultural lubricant that is oil. So the lyrics came from that tension, a kind of corrupt fatalism that could really apply to any sort of trade based drama.

The song was mastered in Reaper digitally, and then recorded to my tape setup (the Tascam BR20T calibrated with Ampex 456 tape). We both chose to have a very clear and dynamic sounding mix and master, which during the loud sections are at around K-12 leveling. If it seems a touch quiet to begin with, please turn it up nice and loud and enjoy the dynamics!

Ghost Inputs at The Get Off Your Arts Dance Party

Tuesday, March 17th, 2009

Last Friday the 13th Iain and I played at Uralla’s Top Pub for the Get Off Your Arts Dance Party, in support for Tijuana Cartel and playing after The Knobs. At the peak there must have been over 50 people there. It’s hard to focus back to this event as already my mind is deliberately erasing the memory of it. Some things went really well – we got to set up early and make sure all everything was running perfectly for the PA; and some moments during the performance had a nice spark to it. But the usual drawbacks and mad surprises were present: no payment for playing; no certainty with food arrangements; stunned unresponsive audience; storm water leaking heavily onto the playing area threatening electrocution and causing flooding of the floor during Ed and James’ set; bumping and damaging equipment; and of course people getting roped into running the PA when there should have been someone formally taking that role all along. I found it very hard to get into the performance, and only felt the magic once during “Life This Free”. But otherwise I just couldn’t keep up with Iain and where he was going, nor did I feel emotionally committed to the whole operation. Earlier in the evening I had a mild panic attack from feeling claustraphobia and noisy indecision inside the pub and had to run outside just to breathe. To tell you the truth I probably would have been happier at home in bed with a Stephen Donaldson book!

I’m feeling a little burnt our from a few things, playing live and rehearsing is part of that. I feel I need to “heal”. Perhaps a break is in order, but I’m not sure. There are other things to organise first:

Late last week R and I received notice from the rental agents that our landlord wished to move back into the Galloway Street residence where we are living. We have been given 6 weeks. This news came as a bit of an emotional blow at first, but I’ve since taken it on the chin and starting to figure out the daunting puzzle of how to pack up everything. This means we’ll have to find a new rental, at least for a short time like 6-12 moths, while we plan and initiate building our OWN house somewhere else in Armidale. It’s all a little bit of a case of bad timing. This means I will have to put any studio production work on hold at least for the next month or so while we move, and who knows if the new rental we have to settle with will have an acoustic space I can use for work. I’ll update you all of what will happen here, if I can: my internet access may be little more restricted for a while. Maybe that’s a good thing.

Ghost Inputs Live At The Top Pub This Friday

Friday, March 6th, 2009

Ghost Inputs (Iain MacKay and myself live) will be playing at the Get Off Your Arts Black Friday Dance Party, which is this coming Friday. We have a few more practices to go to make sure we’re playing up to the same level of energy we had last year. This is straight off the back of a ‘warm up gig’ we did last Friday at a private party in Armidale…

With every gig I come away thinking “now I’ve seen it all” but I keep getting surprised with new random insanities. This last gig hosted all the usual madness of having no run-order, no sound check, and random people everywhere on all sorts of substances. But the cheery on top was undeniably the stage set-up: “erected” in a back yard on uneven ground causing the whole thing to slope forward in differing degrees. To add to the odd situation there was a tarp above the stage which was so low that when you stood up your head disappeared up into it, meaning that the audience couldn’t see who you were! The combination of a sloping stage and the low hanging tarp meant that I had to stoop over to play, which ended up making my back a bit sore. The whole PA and lighting was run off just one power point and there were weird glitches and blips causing the whole thing to feel like it was going to fall over at any second. Iain had no power to his laptop so that decided to make a problem of itself mid set – nothing like a recalcitrant computer to make you feel helpless on stage. Despite all the above we had some ok moments where things came together. I couldn’t help but feel a little numb to everything, perhaps out of self preservation. Yet again I’m scratching my head thinking is it worth it at all, but I have hopes that the gig we have next Friday will be a little better. I’m kinda missing time to work on my own albums…

I’ve been running on empty a little bit lately, hence not much posting here.

Hunz’s RPM Challenge mixing was a lot of time consuming work but also a lot of fun: it’s now all finished and shall be released soon! The album is called “Thoughts That Move”. I will let everyone know when it goes public – you have a good one to look forward to!

Other than that, work has been insanely busy and time consuming due to the teaching semester starting (meaning I’m running around again recording all these lectures). To top it all off R and I have been doing a lot of ‘house hunting’ and ‘property hunting’ in the last couple of weeks. That can be enough to totally do your head in with all the options and possibilities. At this point we’re leaning toward buying land and getting something build for us (not by us), possibly using new green technology and ideas. And of course, we must include somehow a new space for my studio! I’d miss the old roomy acoustics at Galloway Street, but our time here is now limited, and it’s now the moment to commit the ghastly act of conformity and join the property investment game. Part of me feel icky about this, but part of me accepts the inevitability of it all, perhaps looking forward to the quiet modest commitment. I’ll let you know when the decision has been made.

Other parts of me yearn for travel. Sometimes I get cabin fever from being locked in studios all the time, and the cooling crisp air of an approaching autumn beckons me to be on the road. Some new ideas are entering my head either way, but all I have to do is reclaim my time to enact them…

Loss – New Video From Iain MacKay

Monday, February 9th, 2009


Link to YouTube.

Iain MacKay has recently got his creative video gears going again and finished a lovely video matched to my music. The song he chose is called Sub Conscious and is from last year’s album 3 Smargaid Maerd. The dark moody music give Iain’s images a doomed nostalgia filtered through a montaged dream consciousness. The work, I believe, will be on display this Friday at Armidale’s NERAM gallery as part of a new media exhibition. It’s quite exciting to finally have one of my songs have a proper video to it and to finally get on YouTube. Iain has a whole stack of other works that are well worth checking out, as well as more in the pipeline.

Iain and I will be playing live as Ghost Inputs again this year too, so stay tuned for dates.

mmd_as – web2 spots and FLACs

Sunday, January 25th, 2009

The new mmd_as album has made its way around the wide world of web 2.0 and made its sounds available for free where it went. Probably only two places of note are mmd_as – last.fm and here on the Renoise Forum where some people have given comment. Everything else out there is either too minor or so messy that it’s un-presentable. However, if any discussion of note appears I shall share it here. If I were more the virtual-social-butterfly my reach may have generated more of an impact, but no use in pretending to be something I’m not. One place that I’ll be endeavouring to polish up for networking purposes is a new Facebook Page that at the moment just barely features the mmd_as material.

The good news is that I’ve added the new album to the mmd shop, available as a high quality FLAC download for a realistic $10AUD via paypal. Again, we wish that this could be a physical copy of a CD with cool artwork and such, but for now a FLAC version will have to do. Think of your purchase as a ’show of support’ as any donations are halved between Alex and I. I don’t expect a heap of interested (my last album only sold about 5-6 copies), but we’ll put the option there for you just in case.

And of course, any comments and reactions from yourselves to the album would be most welcome to us. Please lets us know what you think of what we have done!

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